The interviews were conducted as part of Dirk Vlasblom’s publication Papua: a history. This book covers five centuries of Papua’s history, focusing on the period from 1945 onwards and with a special focus on the transfer from the Netherlands to Indonesia in 1962. The book focuses on the perspective of Papuans.

The interviews focus on events and experiences in the years 1920 – 2004.
They mainly discuss Indonesia and West Papua. Themes include World War II, Indonesian revolution, transfer to Indonesia in 1962, occupation.

The collection has been digitised and stored permanently at an e-depot.

Dirk Vlasblom (1952) studied cultural anthropology in Utrecht. With a brief interruption, he has been a correspondent for NRC Handelsblad in Jakarta since 1990. He previously published Jakarta, Jakarta – Reportages from Indonesia (1993), In a warung on the South Sea – Stories from Indonesia (1998) and Anchors & Chains – A Rotterdam Chronicle (2001).
In a compelling way, the author tells the stories of Papua. For this, he drew on unique sources. Protagonists and eyewitnesses speak for themselves, often for the first time. The archives of mission and mission were systematically researched for this book, also for the first time.
With this magisterial work, the author gives the Papuans their history.

For his research on the history of South Sulawesi, in particular political-military developments during the Indonesian revolution, Willem IJzereef conducted some 15 interviews with former government officials and former military personnel.
Records of the interviews and research correspondence are also included in the archive.

The interviews focus on events and experiences in the years 1905 – 1986.
They mainly discuss Indonesia, South Sulawesi. Themes include World War II, Indonesian revolution, Domestic Administration, government officials, South Celebes affair.

Publications linked to the collection: IJzereef, W. (1984). The South Celebes affair: captain Westerling
and the summary executions. Batavian Lion.

Archive and inventory no: D H 1284. Thirteen cassette tapes have been transferred to the AV collection of the KITLV (D AUD 1085 – 1097)

The interviews were made for the three-hour documentary film History of a Place, which Hans Verhagen made together with Armando in 1978 for VPRO television about the concentration camp Amersfoort (municipality of Leusden). They approach their subject as the history of the (‘guilty’) site. Discussed are: the origins of the camp in 1939 as an army site for mobilised Dutch soldiers, its function as the German occupier’s concentration camp during World War II, its use as a repatriation camp the first months after liberation and as an internment camp for Dutch SS and NSB members immediately afterwards, its demolition in the late 1960s in favour of the new building for the De Boskamp Police Training Centre. The focus, however, is on the period when the camp served as a concentration camp for the German occupiers. The film was broadcast as the final episode of the series Het gat van Nederland, on 14 May 1978. Many of the interviews are partly conducted walking, including a film camera, through the area around the camp.
As ex-prisoners, Van Dam, Kleinveld, Molenaar, Zoetmulder, Wolders, Van den Burg, Van den Berg, Robeer, chaplain Slots and Schols recount their experiences in the camp. They had mostly ended up there because of resistance activities. They talk about the camp executioners Berg and Kotälla, among others. Also
The following are also interviewed: the contractor who built the barracks in 1939 (Herzinger); the caretaker of the cemetery near the camp, who buried the dead from the camp but also smuggled the living from the site (Jansen); a municipal worker from Leusden who helped prisoners escape whenever possible,
sending letters etcetera (Schut); the son of the owner of Hotel Oud-Leusden, which had been requisitioned by the Germans during the occupation period and was located right next to the camp (Jets); the house painter who painted the barracks both in 1939 and in 1945, shortly after liberation (Van Hoven); the camp’s Amersfoort vegetable supplier (Van Zomeren); the demolisher of the last barracks in the late 1960s (Van Essen); the German Engbrocks, who had been living in the Netherlands for some time before the war, and who was trained as a punishment to become an SS camp guard in Amersfoort in 1941, and was called the “good German” by many prisoners because he tried to help them the employee of the Dutch Red Cross Van Overheem, who, especially in the last year of the war, tried to get as many food parcels into the camp as possible and who was called the ‘white angel of Amersfoort’ by the prisoners (she also played an important role in the camp in the few months it served as a repatriation centre for Dutch people returning from Germany); the camp commander after the liberation (Van Zwol); the director of the Police Training School De Boskamp, whose institute was established on the site in the late 1960s (Steenlaar); some unnamed students and a sports teacher from the police training school on the past of the site in short interviews.

Interviewees: Frans van de Berg, Jan van den Burg, N. van Dam, Willy Engbrocks, R. van Essen, H. Hertzinger, A. van Hoven, Evert Jansen, Martin Jets, Gerrit Kleinveld, Rev. O. Molenaar, mrs. van Overheem, Henk Robeer, Joep Schols, Arie Schut, Jean Slots, M. van Steenlaar, Hans Wolders, S.H.A.M. Zoetmulder, A. van Zomeren, C. van Zwol, some anonymous persons.

The interviews were made on behalf of Verhoeven’s film Portret van Anton Adriaan Mussert (1968, 16mm, 55′), in the composition of which Hans Keller and Leo Kool also collaborated.
It was broadcast by VPRO television on 16 April 1970 and repeated on 20 August 1989 as part of the series TVTOEN. or: How Dutch television writes history, which also covered the problems surrounding the first broadcast. These are also described when discussing the film in Chris Vos, Television and Occupation. A study of the documentary portrayal of World War II in the Netherlands, Hilversum: Verloren, 1995, pp.126-127.
Film and the interviews outline the life course of Mussert (1894-1946): his HBS days; studying civil engineering at the Technical High School in Delft; his work at the Provincial Water Authority in Utrecht, since 1921 as engineer and later as chief engineer director until his resignation in 1934; the importance of his activities as secretary of the committee against the 1925 Belgo-Dutch Treaty for his further political ambitions; the establishment of the NSB in 1931; his role within the NSB and that during the German occupation; his arrest in May 1945; his internment in the penal prison at Scheveningen; the trial in November 1945; his execution on 7 May 1946.

Dibbits was a colleague of Mussert’s at Rijkswaterstaat.
As chief inspector after the war, Van Dien was in charge of supervising Mussert during his internment.
Hartman was an admirer of Mussert and fought on the Eastern Front during World War II.
Kleijn was a classmate of Mussert’s.
Knigge, De Lange and Lemoin[e] had joined the Dutch SS, founded by Mussert, during the occupation. Knigge and Lemoin[e] also fought on the Eastern Front.
Koren was a colleague of Mussert’s at Rijkswaterstaat. Among other things, he talks about the relationship between Mussert and Van Geelkerken, with whom Mussert founded the NSB in 1931 and who also worked at
Rijkswaterstaat.
Krabbendam was the commander of the arrest teams of the Internal Armed Forces (BS), which arrested Mussert on 7 May 1945.
Van der Laan was a teacher of Mussert at the HBS in Gorkum.
Roskam was the peasant leader of the NSB.
F. Rost van Tonningen had been a member of the NSB since 1936 as youth leader and, since 1941, the wife of Mussert’s rival the NSB leader Meinoud Rost van Tonningen. She talks about Mussert’s motives and the relationship between him and her husband.
Schermerhorn studied at the TH in Delft at about the same time as Mussert; both graduated in 1918, albeit in different fields of study. In the interview, Schermerhorn talks about the student and engineer Mussert and about the letters the latter wrote him from captivity concerning their personal relationship. Schermerhorn was prime minister of the first post-war national cabinet at the time of Mussert’s execution.
Smit recounts Mussert’s execution.
Van der Vaart Smit was a leader of a Christian circle and secretly a member of the NSB. However, he opposed the German occupier’s equalisation of education and the persecution of Jews and eventually dropped out. Incidentally, he talks about the relationship between Mussert and Rauter.
Mr Zaayer had already met Mussert in the 1920s in connection with the organisation of the protests against the Belgium-Netherlands treaty of 1925 (cf. also the interview with Zaayer in: SFW work issue no. 8, p.53). After World War II, he was one of Mussert’s accusers as procurator fiscal of the Special Court in The Hague.

Interviewer: Paul Verhoeven

The interviews were conducted for the purposes of Jos Hoogeveen’s book ‘Even for the record. Heerlen in wartime, 1940-1944

The interviewees are former resistance fighters, who talk about their experiences during World War II in Heerlen until the liberation of that city in 1944.

Interviewees:

• A. Bemelmans
• A. van Brink
• J. Corrips
• J. Crasborn
• A. Damen
• L. Jans
• J. Cologne
• J. Lemmens
• A. Paulen
• Mr Ramackers
• W. van Roest
• O. Schumacher
• T. Spreksel
• P. Stoks
• Br. Winkelmolen

German army raid in Heerlen, 10 May 1940. After the occupation of Heerlen, several former Dutch soldiers became active in the resistance. (Rijckheyt Collection)

The struggle for equal status and representation of women and men in Flanders is more than a century old. Great strides have been made, but we are not there yet. Using testimonies and archive footage, the four-part series ‘We, women’ outlines the evolution of the position of women in our society, both privately and in public life.

How have wrong expectations, upbringing, glass ceilings, discrimination, pressure, prejudice or other obstacles made it difficult for women to develop to their full potential in recent decades? For example, in the areas of upbringing, education, marriage, family, sexuality, work and politics. How have they dealt with this? What have action groups, politicians and individual women been able to change? And how do women experience all these obstacles today?

In ‘We, women’, women of all ages and walks of life tell their stories, together with politicians, figureheads of the women’s movement and former ‘Dolle Mina’s’. Their testimonies are illustrated with punishing archive footage. These are at times disconcerting and at other times funny stories about being brought up as a housekeeper, fighting to be allowed to study, the conquest of men’s professions, sexual taboos and men who still think they know better. The four episodes focus successively on sexuality, marriage and family, professional life and politics.

We, women’ uses the tried and tested formula of Children of…: the entire historical and current story is told by committed witnesses who look the viewer straight in the eye.

A surprising look behind the scenes of the struggle for women’s rights. Often stunning archive material that not least puts the sexism of our own public broadcaster on display. And eighteen women who draw you into their stories and leave you with deep respect.

Below is an overview of the 18 witnesses – or participants in Canvas’ documentary We, Women – arranged by age.

• Victoire Van Nuffel (1937): cycling champion and bar owner, openly lesbian at a time when that was anything but obvious.
• Nelly Maes (1941): politician who fought against sexism in politics and campaigned for women’s rights.
• Gerlinda Swillen (1942): Dutch teacher and VUB researcher, militant for equal pay for equal work.
• Ida Dequeeker (1943): emancipation official at VDAB, co-founded the Dolle Mina movement in Flanders and participated in the influential Vrouwen Overleg Komitee.
• Lieve Flour (1944): administrative assistant in the construction sector, grew up in a stifling traditional environment and overcame a humiliating marriage.
• Josette Franckson (1946): worker FN Herstal, involved in the legendary women’s strike at that factory in 1966.
• Margot Roggen (1948): administrative assistant in the insurance sector, often had to fight against male privilege and even overt discrimination as a child and later during her studies and at work.
• Marie Jeanne Declerq (1950): police commissioner, made a career in the male bastion of the Judicial Police.
• Liliane Versluys (1951): lawyer and visual artist, engaged in the Leuven refuge and published the controversial book Your Rights as a Woman (1987).
• Moniek Darge (1952): composer, was active in Dolle Mina and founded Vrouwen Tegen Verkrachting.
• Kati Couck (1954): ABVV staff member, active with Dolle Mina, founded abortion centre Kollektief Anticonceptie, started Vluchthuis Gent and organised self-defence courses for women.
• Linda Van Crombruggen (1960): former complaints coordinator VRT, testifies about sexism and sexual harassment in her own home.
• Khadija Zamouri (1967): politician, distanced herself from her conservative Moroccan Islamic milieu, became politically active with Open VLD, went to work on cabinets and became a Brussels MP.
• Leyla Yüksel (1971): became a gynaecologist with the full support of her parents and, in her own words, was more bothered by sexism among white doctors than Turkish patriarchs.
• Wendy Van den Heuvel (1978): administrative clerk and author, her mother was abused by her father. Recently, two male colleagues ambushed her on a dating site and shared her intimate photos. She left the company, but her experience inspired her to write a book.
• Pinar Akbas (1980): has mixed feelings about her Turkish upbringing, went to college and temporarily entered politics, is currently a nurse and published her autobiography Niran and me this year.
• Heleen Struyven (1988): worked as a lawyer at reputable firms, but noticed that sexism still exists there too. Yet she kept going for it… until she crashed.
• Romy Schlimbach (1995): was bullied for her looks in childhood, experienced an eating disorder, an admission and severe depression, but today she is a plus-size model and influencer: body positivity is the alternative she promotes to the stifling beauty ideal.

In Coal Pits, a number of carefully selected ex-miners dig deep into their memories, where they have stored a wealth of colourful stories about the mine. In juicy and plastic fashion, they tell moving, funny and exciting anecdotes about the dangerous and unhealthy work ‘in the pit’, about daily life in the cités, about the struggle for social rights, the arrival of the ‘guest workers’ and about the rise and fall of heavy industry in Limburg.

The series mainly lets workers have their say: men (and women) who grew up in poverty, usually had not studied and hoped for a better future by working in the pit.

Their stories form the basis of the series and are complemented by historical film material from various archives and atmospheric images of the still-existing industrial architecture and the original miners’ committees of the time.

The series is timely. Not only because it is 30 years since the last Limburg coal mine, that of Heusden-Zolder, was closed. But also because the generation that can still tell the story of the mines from their own experience is disappearing. This is shown, among other things, by the unfortunate fact that four of the 13 key witnesses have died since the filming.

Most of the witnesses are in their 70s and 80s, some even well into their 90s. These are the names:

Agostino Mele – 83 years old
Franco Mirisola – 69 years old
Ismail Erdogdu – 72 years old
Jan Kocur (+) – 79 years
Jean De Schutter – 76 years
Jean Peeters – 69 years
Louis Snoeks (+) – 91 years
Mai Van Houdt – 82 years
Mil Coenen – 63 years
Rocco Berterame (+) – 95 years
Sandrettin Koçak – 80 years
Sophie Gruszowski – 76 years
Stephan Bratus (+) – 96 years

The episodes
Three episodes cover the many facets of underground life, a fourth deals with life above ground and the fifth outlines the story of the closure of the mines.

Episode 1 – Underground
In the first episode, the coal miners take us into the mysterious world underground. In smells and colours, they recount their work and habits among the stones and dust.

Episode 2 – On life and death
In the second episode, the coal pits highlight the dangers of working in the mines. They reminisce about exciting moments and tricky situations that fortunately usually ended well for them. Although that was not the case for everyone.

Episode 3 – The promised land
There was a shortage of hands in the mines. Workers were therefore recruited from other countries. This third episode tells about the experiences of the newcomers in our country and sketches the multicoloured camaraderie underground.

Episode 4 – The cité
In the fourth episode, the coal pits take us to the cité. After all, the mine was much more than the dark corridors underground. Family life above ground was also completely controlled and organised by the mine, in districts and neighbourhoods where the miners lived together.

Episode 5 – The closure
The final episode looks back at the closure of the mines in Limburg. The coal miners recall the actions and strikes they undertook and outline the feeling they still struggle with to this day.

Indië in je Ziel are the personal stories of those who lived through it from the time of the Japanese occupation, and those who know its consequences as spouses, children, grandchildren and, yes, even great-grandchildren. How did the war and the East Indies affect their lives? From then to now. How does this make you feel? And what do you do with it?

Reason for the documentary project Indië in je Ziel was the expected great attention to the Indonesian war of independence in connection with the research results of the research programme Independence, decolonisation, violence and war in Indonesia, 1945 – 1950 of the Royal Institute of Language, Land and Ethnology (KITLV), the Netherlands Institute for Military History (NIMH) and the NIOD Institute for War, Holocaust and Genocide Studies.

The War Stories Foundation wanted to start a project in which the violence of that time is given a place in personal testimonies. Main questions are: How did the war and the East Indies affect your life? How does it make you feel? And what do you do with it?

War Stories Foundation is still collecting stories to be recorded under the same project name.

Themes include World War II, Japanese occupation, Indonesian revolution, reoccupation, internment camps, prisoners of war, migration, trauma.

Pia Media produced five TV broadcasts for Omroep MAX Indië in je Ziel in 2022 (in the final phase of the project) in which (some of) these interviews were used.

Indië in je Ziel

Five short documentaries by the War Stories Foundation portraying both Dutch East Indies and Indies veterans. It also shows how their experiences continue to have an impact on the second, third and sometimes even fourth generation: they too have the Dutch East Indies in their souls today.

The Nusantara Amsterdam Foundation conducted 17 interviews with young people whose family histories lie in former Dutch colonies as part of the Black under Orange project. After 13 interviews were conducted, a meeting was organised in which their stories were shared. Four more young people were then interviewed. A number of young people then embraced this initiative. Under the name Black x Orange, they organise various activities in which they link the colonial past to contemporary social themes such as remembrance, freedom and racism.

The interviews focus on events and experiences in the years 1980 – 2017.
They mainly talk about the Netherlands. Themes include colonial history and influence
of family history on one’s own life.

Website Nusantara Amsterdam: https://nusantara-amsterdam.nl/

When Nusantara Amsterdam Foundation was established in 2006, it was decided to work with Zieraad Foundation to record the life stories of visitors to the session afternoons organised by Nusantara Amsterdam Foundation. Within this storytelling project, 11 interviews were conducted. Video and audio recordings of the interviews were made by Ben and Ineke Vink. 10 of the interviews formed the basis for the book Antara Nusa, life stories of elderly people from the East Indies/Indonesia (2018) compiled by Yvette Kopijn (Zieraad foundation) with the cooperation of Hanoch Nahumury, secretary of Nusantara Amsterdam Foundation and Armando Ello, photographer. During the writing process, several follow-up interview sessions were held of which no recordings are available.

The interviews focus on events and experiences in the years 1930 – 2017. They mainly discuss Indonesia, Java, Sumatra, Ambon and New Guinea and the Netherlands.
Themes include colonisation, struggle for independence, Japanese occupation, World War II, Indonesian revolution, migration, RMS, upbringing, childhood, identity, class society, loss, displacement, uprooting, resilience, courage, racism.

Relevant links: Website Nusantara Amsterdam: https://nusantara-amsterdam.nl/
Facebook page Zieraad Foundation: https://www.facebook.com/StichtingZieraad/

Over the years, a lot has been written about settling and processing the end of the Dutch East Indies. The voice of the totoks (white Dutchmen) has been strikingly dominant in this. This book wants to offer the reader an alternative, multi-voiced perspective. It features elderly people of Indonesian, Moluccan, Timorese, Indonesian-Chinese and Surinamese descent.