Geef een of meerdere zoektermen op.
Gebruik dubbele aanhalingstekens om in de exacte woordvolgorde te zoeken.
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Type interview: scientific
The collection has not yet been digitized and therefore cannot be viewed directly at Sound & Vision. Digitization can, however, be requested from Sound & Vision via: zakelijk@beeldengeluid.nl
The interview was conducted on the occasion of the 100th anniversary of the Dutch Vegetarian Union. This union was founded on September 30, 1894. The organization represents the interests of vegetarians in the Netherlands. The interviewees are vegetarians from Oosterbeek who in a joint conversation tell about their backgrounds, the motives for becoming a vegetarian, their activities in various associations around this and finally what it means to be a vegetarian.
The following individuals were interviewed:
Interviewer: Paul Denekamp
Type interview: journalism
The collection has not yet been digitized and therefore cannot be viewed directly at Sound & Vision. Digitization can, however, be requested from Sound & Vision via: zakelijk@beeldengeluid.nl
In DAAN, the digital archive of Beeld & Geluid the following item can be found: Radio Doc: de zoektocht van Philo Bregstein. In this interview Bregstein discusses Klemperer.
The interviews were conducted on behalf of Philo Bregstein’s film Otto Klemperer’s journey through his times (1973, 95 min). Bregstein made this film about the German conductor and composer Otto Klemperer (1885-1973) on assignment for R.M. Productions. In these interviews, Bregstein paid attention not only to Klemperer’s life but also to the broader musical climate in Germany in the 20th century. Here, attention is paid to the influence of Mahler, Bruckner, Schoenberg and Strawinsky. The interviews are therefore useful for broader music history.
In the early 20th century, Klemperer’s unusual, modern opera staging attracted attention. Klemperer came from a Jewish family and consequently left Germany for the United States in 1933. After World War II, he settled in Zurich. The commentary accompanying the film is largely spoken by the conductor himself, compiled from the interviews. His daughter Lotte also appears in it. The production was later, on May 19, broadcast on German television (ARD) under the title Otto Klemperers lange Reise, which is in the Sound & Vision archives.
The following individuals were interviewed:
Bregstein also made a separate film in 1971 about the rehearsals leading up to the last concert Klemperer conducted in September 1971. This appeared under the title Otto Klemperer in rehearsal and concert (54 min).
Type interview: journalism
The collection has not yet been digitized and therefore cannot be viewed directly at Sound & Vision. Digitization can, however, be requested from Sound & Vision via: zakelijk@beeldengeluid.nl
In DAAN, the digital archive of Sound & Vision the following item can be found: Dromen van leven 22-08-1977 NCRV, for which the interviews were used.
Philo Bregstein interviewed Corinna van Schendel (1909-1985), daughter of the writer Arthur van Schendel (1874-1946). This great Dutch author is known, among other things, for the book Een zwerver verliefd. The interviews were conducted on behalf of a television portrait of her father’s life and work, entitled Dromen van leven, broadcast in the NCRV series “Open Boek” on August 22, 1977. Bregstein and Corinna van Schendel toured places where Van Schendel lived and wrote: Batavia, Florence, Sestri Levante and Amsterdam.
The collection has not yet been digitized and therefore cannot be viewed directly at Sound & Vision. Digitization can, however, be requested from Sound & Vision via: zakelijk@beeldengeluid.nl
DAAN, the digital archive of Beeld & Geluid does contain the following item: the documentary series Voorwaarts en niet vergeten, which processed these interviews
These interviews were made by Hedda van Gennep in 1976 and early 1977 for the 9-part VARA television series (on 16mm film) Voorwaarts en niet vergeten, broadcast between January 11 and May 5, 1977. The series covers the history of the socialist movement in the Netherlands from 1850-1918, with the last part extending the line to 1976. It lasts a total of 5 hours and 45 min. The start of the series was accompanied in the VARAGids (Jan. 8, 1977) by an article on the background of the project, which included interviews with the project’s scientific advisor Johan Frieswijk.
The persons with whom the interviews were conducted range from all kinds of “nameless” fighters of the socialist labor movement from all over the country – including some of the workers from Friesland already interviewed for the film on Imke Klaver, such as the Brandsma couple and Douwe de Wit – to children of socialist leaders of the first hour such as Schaper, Vliegen, Troelstra and Domela Nieuwenhuis.
Discussions include: the Railway Strike of 1903; the Seamen’s Strike of 1911; the Potato Revolt of 1917; Troelstra’s revolutionary attempt in 1918; the General Diamond Workers Union (ANDB) and Henri Polak; women’s suffrage; Wibaut and social housing; the SDAP; the trade union movement, including the NVV and the NAS but also the Catholic and Christian organizations; the CPH and David Wijnkoop; the SociaalDemocratische Bond (SDB); the Maastricht pottery manufacturer Regout; the influence of the church; more generally, the living conditions of workers in the period under review.
The following people were interviewed:
The collection has not yet been digitized and therefore cannot be viewed directly at Sound & Vision. Digitization, however, can be requested through Sound & Vision.
The following item can be found in DAAN, the digital archive of Sound & Vision:
Imke Klaver, diary of a Frisian agricultural worker, broadcast 13-04-1975 by VARA, part of the Signalement series.
The interviews were made for the film Imke Klaver, memories of a Frisian farm worker (16mm, 35′, Hedda van Gennep and
Henk de By, 1975), broadcast by VARA television on April 13, 1975. In the VARA-gids of that week, an article provides context information about the film and the people featured in it; it also contains the results of (another) interview with
Roorda: ‘Gerrit Roorda, do you tell me who Imke Klaver was’, by Marinus Schroevers.
The project was started against the background of the ‘discovery’ of Imke Klaver’s diary by the historian Ger Harmsen, who
also speaks the commentary in the film. The diary has appeared in print: Imke Klaver, Memoirs of a Frisian
farm worker. Some chronicled cases from the youngest past to 1925 (introduced by Ger Harmsen and with notes by
Johan Frieswijk), Nijmegen: SUN, 1974.
The interviews discuss the person of Imke Klaver, the often miserable living and working conditions in the Frisian countryside at the end of the 19th and in the first decades of the 20th century, and the (free) socialist movement in that period. Like Klaver’s diary, the conversations end at the workmen’s strike of 1925. Otje and Jelle Klaver are respectively wife and son of the main character. Talking with Hiltje de Vries-Hogerhuis is exclusively about the infamous “Hogerhuis case,” in which the brothers Wiebren, Marten and Keimpe Hogerhuis were arrested and convicted of burglary with assault in 1895, allegedly unjustly. As supporters of Domela Nieuwenhuis, they would have been hopeless at trial. Mrs. de Vries was a cousin (uncle’s cousin) of the brothers.
Interviewees:
Herinneringen van een friese landarbeider
Imke KLaver
Sunschrift 71, 1971
Herdruk: Boom uitgevers Amsterdam
ISBN: 9789061686552
In 1971 Ger Harmsen came across a thick school notebook in Friesland, which turned out to contain the life memories and musings of Imke Klaver. The latter had died in 1967 at the age of 87. In 1971, these memories were first published in book form, bilingual: Frisian and Dutch, by SUN. Much read and praised at the time. The editions from the 1970s have been out of print for years. Because they were still in high demand, a reprint appeared, with a new afterword by Johan Frieswijk.
Oosthaven 31, Virnly’s home has housed the Israelite Old Men and Women’s Home for several years at the time this photo was taken (1904). Photo: SAHM
19 October 1954 – Interviewer Dr. J.G.W.F. Bik, chairman of the Oudheidkundige Kring Die Goude, had managed to seize a so-called wire-recorder, a then very modern invention and early predecessor of the advanced tape recorder. The device was capable of ‘recording the spoken word on a kind of thick steel wire, after which the sound could later be played back. ‘The wire-recorder was used at Geert Bouwmeester’s De Goudse Insurance Company for dictating letters. But Dr. Bik was able to borrow the device for an evening, allowing the three very elderly Gouda residents to speak their highly personal childhood memories ‘live’ into the microphone. These conversations were later typed out on paper’. And so it is still possible to read what Messrs. S.H. van der Kraats, B.H. van der Werve and D.L. Dijkxhoom confided to the public and the wire-recorder in conversation with Bik. B.H. van der Werve, born on West Haven, was the oldest interviewee at 91. He had been a bailiff by profession and also a commissioner of the Werkinrichting tot Wering der Bedelarij for thirty years. S.H. (Sybrand) van der Kraats, father of the later editor-in-chief of the Goudsche Courant, Siep van der Kraats, was custodian of the library. Nothing further is mentioned about Dijkxhoorn (87 years).
Number of interviews: 5
Sound file: wav
Transcripts: yes
10-minute summaries: yes
Accessibility: one-time registration and login
The centenary (2013) of the Feestlokaal Vooruit and the thirtieth anniversary of the Arts Centre that is housed there will be an opportunity to make the rich material and immaterial heritage of the building, the socialist cooperative Vooruit and its cultural activities and the Arts Centre accessible to a broad public.
The promoters and external partners want to develop a rich ‘content’ by tracing, valorising and presenting tangible and intangible heritage in an accessible way. To this end, the documentary heritage preserved by AMSAB Institute of Social History and the Arts Centre is being explored. In addition, three oral history projects will be carried out on the history of the last half century of Vooruit.
They will be made available in the form of a website, mobile ICT applications in the Feestlokaal Vooruit, an exhibition in the STAM and a public book. The experience and know-how of external partners will be used for this.
The 100th/30th anniversary of Vooruit will undoubtedly appeal to a broad public and will also receive a lot of media attention. This project wants to anticipate this with a high-quality heritage project in which UGent historians, art historians, architects and multimedia engineers will contribute. It fits in the good neighbourhood in which Vooruit and UGent live ‘back to back’ and it will contribute to the image of UGent.
Author: Liesbet Nys
ISBN: 9789491376481
Behind the iconic façade of De Vooruit lies a rich history. A story of 100 years of trial and error.
Werking van de coöperatie Vooruit from Geertjan Tillmans on Vimeo.
Rode cultuurbeleving in het feestlokaal van Vooruit tijdens het interbellum (1919
-1939) – Johannes Teerlinck
FOCUS OP DE PODIUMKUNSTEN
Rode cultuurbeleving in het feestlokaal van vooruit
Universiteit Gent, Faculteit Letteren en Wijsbegeerte, Afdeling Geschiedenis (Nieuwste Geschiedenis), Academiejaar 2009
Number of interviews: 3
Sound source: audiocassettes
Digitized: mov
Transcriptions: yes
10-minute summaries: yes
Accessibility: one-time registration and login
Interviews conducted within the framework of the project ‘Over de bloemetjes en de bijtjes’, sex education in and around the socialist milieu.
Author: Nele Bracke
Number of Pages 498
Year of publication: 1999
Article by Wis Geysen published in Desire has touched us.
About flowers and bees: sex education in and around the socialist milieu
pg. 281-309
Number of interviews: 18
Transcriptions: yes (Dutch, French)
Sound file: mp3
Accessibility: mandatory registration and on request
The international cultural heritage project A World of Diamond: Diamond Workers in The Netherlands, Belgium and France, 1895-2000 will collect, describe and disseminate the dispersed heritage of the international diamond workers during the twentieth century and beyond. A consortium will be created bringing together partners from The Netherlands, Belgium and France. The project will study and testpilotstrategies to digitally aggregate, improve and disseminate the digitized documents, images and testimonies of the worlds of diamond workers.
Publication on the occasion of the project “A world of diamond: diamond workers in Belgium, the Netherlands and France, 1895-2000”.
48 p.
ISBN: 9789464330045
Number of interviews: 80
Sound files: wav
Transcriptions: yes, Dutch
10-minute summaries: yes
Accessibility: mandatory registration and on request
Archival history: The interviews were conducted by students of New History (UGent), for the course Qualitative Methods – part-time oral history taught by Bruno De Wever for the project Vakantiekolonies aan de Belgische kust (1886-1980) of Amsab-ISG.
Although holiday colonies were a widespread phenomenon until the 1980s, there has been little research into them. The first holiday colonies arose from the School struggle. Besides this political goal, their main task was to improve the health of working-class children. After the First World War, all Belgian pillar organisations started to set up holiday colonies.
The holiday colonies differed not only in political background. Unlike the Catholic ones, for example, the socialist holiday colonies mixed girls and boys. At the end of the 1960s, the holiday colonies experienced their heyday. The emphasis was now not so much on health as on meaningful leisure activities. Together with the professionalisation of the colony staff, the clientele of the holiday homes shifted from weakened working-class children to middle-class children.
Research into this phenomenon is therefore very complex. Colonies were set up by the government, health insurance companies, employers, organisations and private individuals, and are therefore diverse in many aspects. Not every organiser has left behind sources. Classic sources are often lacking and if they are present, they do not immediately give us a picture of the stay in the colony.
The registration of oral testimonies is appropriate here, on the one hand to supplement the lack of sources and on the other hand to find out how colony residents experienced these holidays. Specifically for this research, there is another reason to use oral history as a method. In contrast to other source material about the colonies, iconographic material has been abundantly preserved. Mostly in the form of postcards. These show us how the colonists wanted to present their colony to the outside world. The films we have at our disposal are also propaganda for the colonies and their organisers. These images must therefore be supplemented with other sources and testimonies. Because of the diversity of the holiday colonies and the different aspects of the holiday, there are three main lines in our research: – Who went to the holiday colony? – How was the holiday colony experienced? – How did outsiders view the holiday colonies?
“We Zijn Goed Aangekomen! Vakantiekolonies Aan de Belgische Kust [1887-1980].” Bijdragen van Het Museum van de Vlaamse Sociale Strijd van de Provincie Oost-Vlaanderen, vol. 25, ASP Editions ; Amsab-ISG, 2010. Auteur:
Author: Martine Vermandere
Publisher: Aspeditions
ISBN: 9789054876946
In this book, author Martine Vermandere outlines the rich history of the phenomenon of holiday colonies, from the reception of working-class children by charities at the end of the 19th century to the professionalisation of the colonies by health insurance funds after the Second World War. By means of unique photo material and testimonies of beautiful and less beautiful memories, this book takes you through the history of the holiday colonies in all its aspects.
