Het project Ooggetuigen van de Gaswinning legt de komende twee jaar (vanaf april 2024) de verhalen van ten minste 100 mensen op video vast. Zo wordt op een unieke manier de recente geschiedenis aan de hand van persoonlijke verhalen verteld. De afgelopen jaren zijn al veel verhalen verzameld. Maar niet eerder zijn de getuigenissen van de inwoners en betrokkenen bij de gaswinning op een systematische en wetenschappelijke wijze vastgelegd. Dit initiatief wordt geleid door onderzoeker Nienke Busscher en geestelijk verzorger Marjo van Bergen. De interviews worden vanaf april 2024 opgenomen en gepubliceerd in de colectie van de filmbank Groningen. U kunt dus nog meedoen aan dit project! 

Hier kunt vindt u meer informatie over dit project.

En hier kunt u contact opnemen om mee te doen aan de interviews.

Hier is een (NPO-)interview met de leiders van het project.

Ooggetuigen van de Gaswinning is een initiatief van negen organisaties met wortels in Groningen naar een idee van Diepduik Media. Iedere partij brengt eigen expertise in, waardoor de (wetenschappelijke) kwaliteit wordt gegarandeerd. Speciaal voor dit project wordt een stichting opgericht. Zo wordt de onafhankelijkheid geborgd en kan de opbrengst van het project goed en zorgvuldig worden beheerd.

The University of Twente launched in 1964 as the first campus university in the Netherlands. The idea was that of civitas academia, an academic community where even first-generation students would feel at home. On campus there would be peace and regularity, with a focus not only on studies, but also on cultural development and living together. The establishment of student associations in the form of sports and cultural clubs was encouraged, but corporal associations were kept out. There was an effort to integrate technical and social sciences, and in 3.5 years, students could pass the baccalaureate, which in principle made them ready for a job in business.

The story of the early years of the then Technische Hogeschool Twente is well documented. What is less clear is how all the ideals of the founders turned out in practice. The Archive Department of the LISA (Library, IT Services & Archive) department has set up an oral history project in collaboration with Stichting Universiteitsfonds Twente, in which about 20 students from the first batch are interviewed about their experiences between 1964 and 1972. Why did students choose Twente, what were their expectations? How did female students experience their time on campus? What did studying at UT and the process of coming of age on campus give students of that time? An interesting area of tension is the desire to prepare students better for social life than was common at technical universities, while at the same time housing and educating them on a campus far from the city.

Marjan Beijering (History Lab) supervised the project. About five interviewers (almost all members of GEWIS, the association of UT pensioners) attended oral history workshops and worked closely with UT’s video team, which lent recorders and secured the recordings afterwards. Arjan van Hessen helped work with ASR. By the end of September 2023, 20 oral history interviews will be ready, recorded on audio and including permission for inclusion in archives, metadata, summaries. Some of the interviews will also be recorded on film. Interviewer Martin Bosker will use some of the interviews as the basis for his podcast Campuswalks.

The interviews were conducted on the occasion of Rotterdam Celebrates the City in 2016, a cultural event around the commemoration of the reconstruction, and the term “reconstruction” should be understood broadly in this collection. For example, in addition to architects and municipal workers from the postwar period, Rotterdammers with an immigrant background and younger Rotterdammers were interviewed about their views on life in the Maas City.

Initially, the goal of project Soul of the Reconstruction was not focused historical research, but the compilation of an audiobook of the same name for a wide audience. This book consists of four CDs with excerpts from the interviews, along with brief descriptions of the people interviewed. These descriptions have been reproduced in DANS.

The interviews have been deposited with DANS. The Stadsarchief Rotterdam preserves the collection. The process of making the collection available online was carried out by the Erasmus Studio of Erasmus University Rotterdam. They took care of the metadata of the collection, tested automatic speech recognition and created a standard workflow for this process, so that in the future institutions will know which steps to take when they want to make interviews available for research in the Media Suite.

The interviews are almost entirely in Dutch and consist of an audio recording with a transcript attached. These transcripts vary greatly in quality: many of the transcripts are incomplete and some only have time-stamped subjects. Of the total 86 interviews, not all will be uploaded at one time due to privacy statements that are not yet complete. This is the reason why for now not all interviews from number 1 to 86 are online.

This interview series contains two series. See the hyperlinks for the Sound and Vision archive.

The first series is called “De schatkamer – De eerste getuigen van onze eeuw”:

Paul Julien 1901-2001

Interview with 93-year-old anthropologist and chemist Paul Julien. Julien talks about: his childhood in Utrecht; his exclusively science-oriented interest, as a result of which social and political developments during his youth eluded his observation; his expeditions to Africa and what he sees as the positive influence of colonialism on tribal war-torn Africa. Julien shows gloom about the future due to the decline in moral awareness and does not even consider it out of the question “…that we are heading for a Third World War.”

Hilda Verwey-Jonker 1908-2004

Interview with sociologist and former Member of Parliament Hilda Verwey-Jonker (1908) about her childhood on Zuid-Beveland and in Zwolle; the SDAP milieu in which she grew up; the position of women in the early twentieth century; sexuality as experienced by students; her grandchildren; the rise of right-wing extremism in the 1930s and her functioning in male-dominated strongholds such as the SER and the United Nations. Verwey-Jonker fears the consequences of the aging of Western society. According to her, poorer peoples will take over some of the prosperity without having the technical and scientific knowledge to deal responsibly with the environment.

Emile Schüttenhelm 1909-2003

Interview with former NTS president Emile Schüttenhelm (1909) about: the Catholic environment in which he grew up; World War I; rise and fall of communism; the rise of right-wing extremism in the 1930s; his participation in the World Jamboree in 1937 and his meeting with Lord Baden-Powell; his liberation in 1945 and the presidency of the NTS, for which he was asked because, according to Minister Cals, he was the only one who had a chance to “survive” in Hilversum.

Schüttenhelm reminisces about Henk Terlingen and looks positively to the future, since, according to him, every generation has the commitment and creativity the future needs.

The second series is called “De eerste getuigen van onze eeuw”:

Jan Tinbergen 1903-1994

Interview with Jan Tinbergen a.o. about his youth, the end of WW I, his study of physics in Leiden and his contacts with his teachers Paul Ehrenfest and Albert Einstein; his work at the Central Bureau of Statistics mn the fight against the crisis in the thirties; about his transfer in 1936 to the League of Nations in Zurich and the cooperation during WW II with experts on international law like Van Asbeck and van Eysinga t. His research into the role of international treaties; his passivism and anti-colonialism; the research by the CBS into the economic consequences of overseas territories and his criticism of Min. Drees’ attitude regarding de-colonialization policy. He also talks about his research into world issues such as developing countries and environmental problems, which according to him require a global approach through a world government and about receiving the Nobel Prize in 1969. Finally, he gives his vision of the future in terms of an economic balance between production and fairer income distribution and his desire for a more sober and idealistic society.

Willy Corsari 1897- 1998

Interview with Willy Corsari about her unhappy childhood, the artists’ milieu in which she grew up, the origin of the name Corsari, her studies of piano and singing and writing girls’ books, her memories of The Hague and Berlin where she took singing lessons, her life with Jean-Louis Pisuisse’s cabaret company and the history of his murder. She tells about the publication of her first books, including about euthanasia, and her love for the theater, which she stopped attending as a matter of principle during the war; the work of the resistance and helping Jews during the war years and the positive memories of the occupation period regarding mutual human relationships; about the publisher Leopold who committed suicide and her move to cooperative publisher Lubberhuizen/Blommestein (later De Bezige Bij), where she left after conflicts.

Arthur Lehning 1899-2000

Interview with Arthur Lehning about his exciting stay in artists’ and anarcho-syndicalist circles in Berlin in the 1920s and 1930s, the rise of fascism, his views on the political movements of the time, including the Spanish Civil War, his initiative to found the international politically engaged art magazine “i10” and the people, including Mondrian, Kandinsky and Nagy, who contributed to it. He recounts his childhood friend Marsman and the ideological conflict between them in the 1920s; regarding the Spanish Civil War, his reasons for actively supporting the socialist revolution and his stays and encounters there; his experiences in the internment camp on the Isle of Man, England, after the neutralization refusal, regarding his political activities, of the Netherlands, his activities regarding the Cold War and the Paris protest movement ’68. He calls the past century “this terrible age” and sees little positive prospect for the next one.

Jeanne Bieruma Oosting 1898-1994

Interview with Jeanne Bieruma Oosting about her childhood years in the affluence of noble and aristocratic circles; her early love of painting and her studies at the Art Academy in The Hague during which time she met Queen Wilhelmina. She talks about her teacher Van Konijnenburg, her impressionist painting style, her departure in 1929 with Charlotte van Pallandt for Paris and her 11-year stay there where she met Piccaso, among others, and became fascinated by the seamy and nightlife of this city; about her stay in the south of France after the outbreak of the war, the return to occupied Holland and the productive years in Amsterdam. Oosting talks about her painting and graphic work, including the design for children’s stamps and her self-portraits, the stroke that struck her and the happy life she enjoyed.

Chris Walder 1900-1997

Interview with Chris Walder about his childhood in Breda, where he learned to play soccer early on the streets, his first matches, the mobilization and outbreak of WWI and his training to become a notary; playing soccer at NAC, the various matches for the Dutch championship and the various NAC players around 1920-’21; the national championship of NAC, after which he was selected for the Dutch national team. He talks about the fact that back then there was no training program for the team and the big difference with today’s soccer.

He believes he could have come along now as well, because it always remains about the talent.

Cor de Roos-Oudegeest 1899-1998

Interview with Cor de Roos-Oudegeest about her background, memories of the railroad strike of 1903, her father Jan Oudegeest (chairman of the NVV and SDAP politician), WWI and the support committee; the reactions in Dutch socialist circles to the Russian Revolution, her joining the SDAP and her activities for the SDAP women’s union, the rise of communism and fascism and the outbreak of WWII, the occupation years and her husband’s resistance work.

She talks about politics after the war in the Dutch East Indies, about the views of Minister Drees regarding the inferior position of women, her entry into the Lower House for the PvdA in 1956 and the reasons for leaving active politics behind. She sees the greatest changes in this century as the great growth of prosperity and participation, but also a much more selfish society, which makes her feel less positive about the future..

Ten huize van … is a Flemish talk show that first appeared on TV1 (Eén) in 1957.

Each episode, presenter Joos Florquin visited a Famous Fleming or Famous Dutchman and interviewed him in his own home. For three days he installed himself in the home of the person in question, while his camera crew shot footage. Most of the interviewees were from the political or cultural world. The first guest was Gerard Walschap. More than 250 followed. The interviews centered on the interviewees. They were able to talk freely and were only in the picture themselves. In other words, true oral history.

Over the decades, Florquin interviewed an impressive number of people. The interviews were written down afterwards, compiled and published in a series of books. When Florquin died in 1978, the program was also stopped for a long time.

Only in the 1990s did new episodes appear around “At the home of”, this time with Edward De Maesschalck as interviewer (34 episodes). From 2003 Frieda Van Wijck took over the presentation.

An overview of many of the interviewed:

Belga Sport is a Flemish documentary television series depicting turning points in Belgian sports history. The program, made by Woestijnvis and shown on the Flemish public broadcaster Canvas, digs up fragments from the VRT sports archives and sheds new light on “known” facts through testimonies. The subtitle therefore reads Old sports stories in a new light. The first series was broadcast in the spring of 2007. A new series was recently released in 2024. In June 2008, Belga Sport was awarded the Prize of Television Criticism. And in early 2011, the program received a nomination from the Flemish Television Stars in the category “Best Information Program.

There is also a podcast with the creators of Belga Sport. Which can be found here.

Belpop is a TV program about the Belgian pop scene on Canvas. It refers to belpop, a collective term for music by Belgian groups. Since 2008, each episode deals with one artist, sometimes several artists get the floor. They talk about the past of belpop. Between 2008 and 2020, Luc Janssen did the interviews and voice-over. As of 2023, Bent van Looy took over this task. Also see a review of this last season here.

Jan Delvaux, contributor to the program, also published a book in 2011 entitled Belpop: de eerste vijftig jaar, in which he describes the history of Belgian pop music, from Kili Watch of The Cousins to the present.

Also see the following video on belgian music history: Belpop Bonanza #1000 – Een duik in 40 jaar AB geschiedenis

To celebrate the seventy-fifth anniversary of the Zuiderzee Museum in Enkhuizen, the Netherlands, in 2023. This was accompanied by a special exhibition, which was celebrated both by employees as well as former employees and volunteers. A start was made the year before to speak with former employees. Femke van Drongelen had tracked down several people who had helped build the outdoor museum, and ten former employees were also interviewed. Here you may find a video about the importance of these former employees.

Their stories illuminated the history of the museum and the history of Enkhuizen. All kinds of beautiful stories emerged as a result. These were incorporated into the exhibit.

The following people were interviewed:

• Bert Kruissink
• Erik Walsmit
• Pieter Jutte
• Siemen de Boer
• Johan Jesterhout
• Victor Kersten
• Thedo Fruithof
• Ferry Walberg
• Sjaak Dangermond
• Sjaak Tromp

The cultural heritage of design does not consist only of sketches, models, photographs or correspondence of designers. With design, there is also a strong interaction between explicit knowledge and tacit knowledge, knowledge that may be passed on but which usually does not receive written expression. That is why the Flemish Architecture Institute conducted interviews with designers, policy makers and craftspeople. As a result, the interviews do not all cover the same topics and time periods. A mix of young and old and of profession was chosen; furniture maker, artist, design connoisseur and director of Design Flanders all have their say.

The following people were interviewed:

• Leonce Dekeijser (1924-2015), interior architect, he explains that in his college days, “interior design” did not actually exist. He took courses with architects and decorative arts and eventually earned a degree in furniture art. He discusses the teaching methods, the subjects and his teachers. He talks about the interaction between design and education

• José Vanderlinden (1920-?), furniture maker, the emphasis in the conversation with José Vanderlinden is, much more than in the conversation with Leonce Dekeijser, on the technical aspects of furniture making.

• Luc (1953-now) and Katrien Mestdagh (1980-now), stained glass artists, the conversation includes the neo-Gothic tradition in Ghent in terms of stained glass painting, and how it lives on to this day in atelier Mestdagh. They discuss the need for commissioning.
• Achiel Pauwels (1932-now), ceramist, he talks about how he learned the craft, how the teachers did not always give away the secrets of the craft just like that, and what the relationship was with the other art craft courses and the sculpture course. The conversation also explores the emphases he placed in his own classes and the importance he attached to drawing in doing so.
• Moniek Bucquoye (1948-2022), connoisseur and promoter of design, the talk provides an insight into how product development education was shaped in Flanders from a historical perspective. She highlights the difference between product development and industrial design.
• Lieven Daenens (1948-now), former director of the Design museum Ghent. Daenens discusses the evolution of the museum, its change of name and position with the advent of the museum decree in the 1990s. He discusses the quality of Belgian design culture and education in Belgium.
• Johan Valcke (1952-now), director of Design Flanders, the conversation with Valcke gives an insight into how art crafts and design were viewed in Belgium and Flanders from an economic point of view and a historical perspective.

The four interviewers were art historians and artists: Katarina Serulu, Marieke Pauwels, Eva Van Regenmortel and Aletta Rambaut

The interview with Piet van der Ham (born 1910) was made as part of Renate Bergsma’s research internship at SFW in 1995. It was incorporated into her doctoral thesis “Do you speak film? The Catholic filmmaker Piet van der Ham, Amsterdam (doctoral thesis Cultural Studies, UvA), 1995. Under the same title she published an article in the 1994 Yearbook Stichting Film en Wetenschap – Audiovisual Archive, Amsterdam: Stichting Film en Wetenschap, 1995, p.75-101.

Piet van der Ham has been characterized as a Catholic filmmaker. His “discovery” in 1936 as an amateur filmmaker by the filmmaker Otto van Neijenhoff was the impetus for a whole series of commissioned films from that angle. He was theoretically influenced by the Catholic ‘film pope’ Janus van Domburg and the writer-poet A.J.D. van Oosten and more generally by the aesthetic views of the Filmliga. With Van Oosten, he founded the Catholic film group Kafilgro. The amateur film Redt Volendam, made by Piet van der Ham and Goof Bloemen, can be found on the website of Beeld & Geluid.

During World War II he experimented with feature films, together with his friend Alfred Mazure, and worked as a photographer for the Internal Armed Forces. Over the years, he made many film journalistic contributions to newspapers such as De Tijd and de Maasbode and was associated with film magazines such as Filmfront and Filmforum. He was also involved in the Catholic Film Censorship Board. After the war, he made a number of films for the KVP, including the well-known De Opdracht (1956). He also made several corporate films and produced news items for Polygoon and the NTS. Finally, Van der Ham taught film and photography in The Hague.