The beautifully situated Oxerhof estate, under the smoke of Deventer, harbors a dark and well-hidden wartime past, only fragments of which have become common knowledge over time. The estate was requisitioned by the occupying forces in 1943, officially it was a hospital for SS soldiers, but in reality it was school for secret agents who had to gather information in Allied territory. A spy school. From November 1944, the Oxerhof became an SD prison where resistance fighters and deserters were incarcerated. In total, there were around two hundred prisoners and more than a hundred did not survive the war. The last 10 prisoners in the Oxerhof, a few hours before liberation by Canadians, were gruesomely murdered.

Around 2009, Huub van Sabben conducted fourteen interviews on this topic with different people on this topic. These interviews concern the period 1943-1945. For forty years Van Sabben worked on his magnus opus about the Oxerhof, a book called Spionage, arrestaties en moord aan de IJssel. Van Sabben dug through mountains of primary sources to create this book.

In this video Van Sabben speaks about his book and the Oxerhof.

The interviews can be found on in the archives of Collectie Overijssel

Interviews with striking Gelderlanders

Mien van der Meulen-Nulle
(The Hague, 17 March 1884 – Winterswijk, 8 January 1982)

Louisa Wilhelmina (Mien) van der Meulen-Nulle was a Dutch teacher of lace technology and director of the Royal Dutch Lace School in The Hague.

Nulle studied useful handicrafts at the Industrieschool voor Meisjes in The Hague. She came into contact with lace through books. She received additional lessons from Elisabeth Manhave, a former pupil of the lace school in Sluis. In 1903, she taught at the Lace School, then based in Apeldoorn. At the age of 22, she became headmistress of the lace school in 1906 when it moved to The Hague. She was given access to an attached studio. She designed the cradle cover for Princess Juliana in 1909. On the occasion of a parade in Leiden depicting the entry of Frederik Hendrik in 1629, she designed several 17th-century lace based on paintings in 1910. It earned several awards.

Louis Frequin
(Arnhem, 29 July 1914 – Berg en Dal, 13 October 1998)

Interview on 11 August 1976 (tape 1 missing – interview 28 April 1976)

Louis Hendrik Antonius (Louis) Frequin was a Dutch journalist, author and resistance fighter. Louis Frequin was married and had eight children, the oldest of whom, Willibrord Frequin, is the best known.

Louis Frequin was Roman Catholic and had worked in journalism since 1930. Former editor-in-chief of the Gelderlander and the Nieuwe Krant.

Herman Martinus Oldenhof
(Apeldoorn, 17 September 1899 – Ede, 11 April 1985)

Interviewer J.P. Gansenbrink, 21 July 1977

Oldenhof was a Dutch mayor. He was a member of the Anti-Revolutionary Party (ARP). Oldenhof was mayor of the municipalities of Lopik, Jaarsveld and Willige Langerak from 1929 to 1936. He then served as mayor of Kampen from 1936 to 1942 and from 1945 to 1952.

Oldenhof left for the municipality of Ede, where he was mayor until 1962. Under his administration, the municipality grew from 47,656 to 60,162 inhabitants and much was invested in new education and infrastructure. In 1962, he became deputy of the province of Gelderland. He continued to live in Ede, though. Here he died in 1985 at the age of 85 in retirement home De Klinkenberg.

Jan Taminiau
(1 April 1903 – 17 July 1993)

Interviewer G. J. Mentink, 16 October 1975

Taminiau was director of the Gelderland fruit processing company Taminiau Elst Overbetuwe (TEO)

Jan Hendrik de Groot
(Alkmaar 13 March 1901 – Zeist 1 December 1990)

Jan H. de Groot was a poet, journalist in Arnhem.

In 1948, he became editor of Het Vrije Volk in Arnhem and from 1950 until his retirement in 1966, he was press chief of the AKU in Arnhem. From 1950 to 1962, he was secretary and treasurer of the Dutch branch of the international authors’ association PEN.

In spring 2015, STUK celebrated. For 37.5 years, the Leuven arts centre has been at the artistic forefront. A book (STUK, a history 1977-2015; Hannibal Publishing House) and an exhibition (Was it now ‘t Stuc, STUC or STUK?; STUK Expozaal) underlined this contrarian anniversary. At the same time, the historical retrospection served to pause for a moment and look back, only to choose a new future as the House for Dance, Sound and Vision. Yet such a radical change of direction is by no means unique in historical perspective. Reinventing itself is in the DNA of the organisation, as a logical consequence of the constant search for artistic renewal.

In this smoothly written book, cultural historian Marleen Brock (KU Leuven) tells the story of 37.5 years of STUK – not a nicely rounded anniversary, but as contrary as the arts centre itself. Amusing anecdotes and quotes from interviews with key figures, photos, posters and documents bring the rich history to life.

Built just after World War I as accommodation for the many Deventer workers. Renovated in the 1970s in an attempt to reverse the decay and demolished and completely rebuilt in the early 21st century: the Driebergen neighbourhood and Molenwijk in Deventer have had an eventful century. As the new neighbourhood is completed, this book aims to tell the history of, above all, the ordinary people who lived and worked there. Who spent a happy childhood there, had children, grew old and died. A story that can just about be told now, because Deventer history was also made in the working-class neighbourhoods.

The beautifully renovated Driebergen neighbourhood is gearing up for a new chapter in that history. Daring architecture and a unique collaboration between Rentree, builders and developers have created a neighbourhood where it is good to live and work.

Hardly a brick of the old Driebergenbuurt and Molenwijk can be found: a colourful neighbourhood has emerged from the restructuring over the past five or six years. However, the history of this striking piece of Deventer comes impressively to life through authentic, human stories of (former) neighbourhood residents. To this end, chroniclers Henk van Baalen and Geert Poorthuis conducted a total of sixteen interviews last year. In the 112-page book they compiled at the request of housing association Rentree, they are gems among beautiful archive snapshots, some of which have never been published before. Up-to-date photographs and artist impressions complete the whole.

Van Baalen and Poorthuis look back on that ‘gathering period’ with satisfaction. “Everyone was very helpful. It has produced wonderful oral-history.”

Living with water and drought is not only an issue today but also in the past. What did you do as a farmer if the Slinge flooded? How did estates ensure sufficient water in canals and ponds? How did a copper mill work? What was water management like in the past and today?

Farmers, estate owners, (retired) employees, dike wardens, water board heirs, water millers and stream volunteers told their stories.

Since 2016, volunteers from the Oral History Working Group Gelderland have been recording life stories about historical water management in order to make the work of the water authorities (past and present) visible. All kinds of people have been interviewed: a laundry owner, volunteers who maintain streams and springs, estate owners, farmers, millers, people who experienced dike breaches up close. How did they live with water?

This is a special project because these stories have been recorded province-wide for the first time.
All the stories can be read via a map tour on the website of Landschapsbeheer Gelderland.

With fifty notable Bommelaars fifty years back in time

In the past fifty years Zaltbommel has grown from a sleepy little town on the river Waal into a modern city in the middle of the country. In this book well-known Bommelaars tell how life has changed in Zaltbommel. 

Former general practitioner and writer Paul van Dijk has chronicled the history of half a century of Zaltbommel on the basis of fifty interviews. Notable inhabitants of Zaltbommel tell about the recent history of the church, art, education, the police, the housing market, politics, the multicultural society and about their love for their city. 

On the basis of these stories, discover how a city changes and how we continue to write history together, even today. 

The notable Bommelaars have been portrayed by photographer André Dieterman. The book therefore not only gives you a special picture of the recent past of Zaltbommel, but because of the beautiful photographs it is also a unique reading and viewing book that should not be missing on any reading table.