Prominent Gelderlanders
5 digitised interviews
Gelderland Heritage
Investigating whether and how the collection can be archived and made public
Mien van der Meulen-Nulle
(The Hague, 17 March 1884 – Winterswijk, 8 January 1982)
Louisa Wilhelmina (Mien) van der Meulen-Nulle was a Dutch teacher of lace technology and director of the Royal Dutch Lace School in The Hague.
Nulle studied useful handicrafts at the Industrieschool voor Meisjes in The Hague. She came into contact with lace through books. She received additional lessons from Elisabeth Manhave, a former pupil of the lace school in Sluis. In 1903, she taught at the Lace School, then based in Apeldoorn. At the age of 22, she became headmistress of the lace school in 1906 when it moved to The Hague. She was given access to an attached studio. She designed the cradle cover for Princess Juliana in 1909. On the occasion of a parade in Leiden depicting the entry of Frederik Hendrik in 1629, she designed several 17th-century lace based on paintings in 1910. It earned several awards.
Louis Frequin
(Arnhem, 29 July 1914 – Berg en Dal, 13 October 1998)
Interview on 11 August 1976 (tape 1 missing – interview 28 April 1976)
Louis Hendrik Antonius (Louis) Frequin was a Dutch journalist, author and resistance fighter. Louis Frequin was married and had eight children, the oldest of whom, Willibrord Frequin, is the best known.
Louis Frequin was Roman Catholic and had worked in journalism since 1930. Former editor-in-chief of the Gelderlander and the Nieuwe Krant.
Herman Martinus Oldenhof
(Apeldoorn, 17 September 1899 – Ede, 11 April 1985)
Interviewer J.P. Gansenbrink, 21 July 1977
Oldenhof was a Dutch mayor. He was a member of the Anti-Revolutionary Party (ARP). Oldenhof was mayor of the municipalities of Lopik, Jaarsveld and Willige Langerak from 1929 to 1936. He then served as mayor of Kampen from 1936 to 1942 and from 1945 to 1952.
Oldenhof left for the municipality of Ede, where he was mayor until 1962. Under his administration, the municipality grew from 47,656 to 60,162 inhabitants and much was invested in new education and infrastructure. In 1962, he became deputy of the province of Gelderland. He continued to live in Ede, though. Here he died in 1985 at the age of 85 in retirement home De Klinkenberg.
Jan Taminiau
(1 April 1903 – 17 July 1993)
Interviewer G. J. Mentink, 16 October 1975
Taminiau was director of the Gelderland fruit processing company Taminiau Elst Overbetuwe (TEO)
Jan Hendrik de Groot
(Alkmaar 13 March 1901 – Zeist 1 December 1990)
Jan H. de Groot was a poet, journalist in Arnhem.
In 1948, he became editor of Het Vrije Volk in Arnhem and from 1950 until his retirement in 1966, he was press chief of the AKU in Arnhem. From 1950 to 1962, he was secretary and treasurer of the Dutch branch of the international authors’ association PEN.
Every town has a reason to be in the history books, and Lokeren deserves a chapter in the history of industry. During the first half of the 20th century, Lokeren was the centre of the hair-cutting industry, a preparatory industry that prepared rabbit and hare skins into felt hair for hat manufacturing all over the world. From the 1960s the industry began to taper off for many reasons, and today it is virtually extinct.
Because the hair-cutting industry was unique and important for Lokeren, it is obvious and necessary that a clear emphasis is put on it in the Municipal Museum. The upcoming renovation and redesign of the museum also provide an opportunity to turn the current, relatively small hair cutting department into a central theme within the permanent exhibition.
Written sources exist about the hair-cutting industry, but all the more telling are the tangible and intangible ‘relics’: the sites, the material, and especially the stories of the former employees. As experts, they are best placed to explain the industry in all its facets. The interviews with people who worked in or were closely involved with the hair cutting industry will be used as a source of information as well as a presentation element.
The interviews will be available to listen to within the permanent exhibition and on a separate information DVD. A documentary will also be made, featuring filmed interviews with some eight respondents and a site visit with one of the former employees. Furthermore, the interviews will be kept at the City Archives as source material for other studies, as the people in question often tell many more stories than that of the hair cutting business alone.
Both for the people with a past in the hair cutting business and for myself, this project is special. Besides their personal account, lots of technical explanations and names of other witnesses, a number of people donated a personal memento-their own knife or scissors, a sheet of their very last load-to the museum. They are happy that the museum looks after ‘their heritage’, and we are happy to care for it.
Leen Heyvaert,
deputy curator
Municipal Museum of Lokeren
In spring 2015, STUK celebrated. For 37.5 years, the Leuven arts centre has been at the artistic forefront. A book (STUK, a history 1977-2015; Hannibal Publishing House) and an exhibition (Was it now ‘t Stuc, STUC or STUK?; STUK Expozaal) underlined this contrarian anniversary. At the same time, the historical retrospection served to pause for a moment and look back, only to choose a new future as the House for Dance, Sound and Vision. Yet such a radical change of direction is by no means unique in historical perspective. Reinventing itself is in the DNA of the organisation, as a logical consequence of the constant search for artistic renewal.
In this smoothly written book, cultural historian Marleen Brock (KU Leuven) tells the story of 37.5 years of STUK – not a nicely rounded anniversary, but as contrary as the arts centre itself. Amusing anecdotes and quotes from interviews with key figures, photos, posters and documents bring the rich history to life.
Oral history stories about historical water management
Project:
Leven met water
Living with water and drought is not only an issue today but also in the past. What did you do as a farmer if the Slinge flooded? How did estates ensure sufficient water in canals and ponds? How did a copper mill work? What was water management like in the past and today?
Farmers, estate owners, (retired) employees, dike wardens, water board heirs, water millers and stream volunteers told their stories.
Map Tour oral history Living with water:
MapTour
Since 2016, volunteers from the Oral History Working Group Gelderland have been recording life stories about historical water management in order to make the work of the water authorities (past and present) visible. All kinds of people have been interviewed: a laundry owner, volunteers who maintain streams and springs, estate owners, farmers, millers, people who experienced dike breaches up close. How did they live with water?
This is a special project because these stories have been recorded province-wide for the first time.
All the stories can be read via a map tour on the website of Landschapsbeheer Gelderland.
In the past fifty years Zaltbommel has grown from a sleepy little town on the river Waal into a modern city in the middle of the country. In this book well-known Bommelaars tell how life has changed in Zaltbommel.
Former general practitioner and writer Paul van Dijk has chronicled the history of half a century of Zaltbommel on the basis of fifty interviews. Notable inhabitants of Zaltbommel tell about the recent history of the church, art, education, the police, the housing market, politics, the multicultural society and about their love for their city.
On the basis of these stories, discover how a city changes and how we continue to write history together, even today.
The notable Bommelaars have been portrayed by photographer André Dieterman. The book therefore not only gives you a special picture of the recent past of Zaltbommel, but because of the beautiful photographs it is also a unique reading and viewing book that should not be missing on any reading table.